"I believe that despite there obviously being other major causes to the conflict religion has been the main cause of conflict in the Middle East since 1914. The two other extremely important causes were World War One and the British."

things I wrote in history essays when I was 14.

He was soon borne away by the waves and lost in darkness and distance.

Save us from the saviours: Slavoj Žižek on Europe and the Greeks

maozedongisnotcool:

Imagine a scene from a dystopian movie that depicts our society in the near future. Uniformed guards patrol half-empty downtown streets at night, on the prowl for immigrants, criminals and vagrants. Those they find are brutalised. What seems like a fanciful Hollywood image is a reality in today’s Greece. At night, black-shirted vigilantes from the Holocaust-denying ne0-fascist Golden Dawn movement – which won 7 per cent of the vote in the last round of elections, and had the support, it’s said, of 50 per cent of the Athenian police – have been patrolling the street and beating up all the immigrants they can find: Afghans, Pakistanis, Algerians. So this is how Europe is defended in the spring of 2012.

The trouble with defending European civilisation against the immigrant threat is that the ferocity of the defence is more of a threat to ‘civilisation’ than any number of Muslims. With friendly defenders like this, Europe needs no enemies. A hundred years ago, G.K. Chesterton articulated the deadlock in which critics of religion find themselves: ‘Men who begin to fight the Church for the sake of freedom and humanity end by flinging away freedom and humanity if only they may fight the Church … The secularists have not wrecked divine things; but the secularists have wrecked secular things, if that is any comfort to them.’ Many liberal warriors are so eager to fight anti-democratic fundamentalism that they end up dispensing with freedom and democracy if only they may fight terror. If the ‘terrorists’ are ready to wreck this world for love of another, our warriors against terror are ready to wreck democracy out of hatred for the Muslim other. Some of them love human dignity so much that they are ready to legalise torture to defend it. It’s an inversion of the process by which fanatical defenders of religion start out by attacking contemporary secular culture and end up sacrificing their own religious credentials in their eagerness to eradicate the aspects of secularism they hate.

But Greece’s anti-immigrant defenders aren’t the principal danger: they are just a by-product of the true threat, the politics of austerity that have caused Greece’s predicament. The next round of Greek elections will be held on 17 June. The European establishment warns us that these elections are crucial: not only the fate of Greece, but maybe the fate of the whole of Europe is in the balance. One outcome – the right one, they argue – would allow the painful but necessary process of recovery through austerity to continue. The alternative – if the ‘extreme leftist’ Syriza party wins – would be a vote for chaos, the end of the (European) world as we know it.

The prophets of doom are right, but not in the way they intend. Critics of our current democratic arrangements complain that elections don’t offer a true choice: what we get instead is the choice between a centre-right and a centre-left party whose programmes are almost indistinguishable. On 17 June, there will be a real choice: the establishment (New Democracy and Pasok) on one side, Syriza on the other. And, as is usually the case when a real choice is on offer, the establishment is in a panic: chaos, poverty and violence will follow, they say, if the wrong choice is made. The mere possibility of a Syriza victory is said to have sent ripples of fear through global markets. Ideological prosopopoeia has its day: markets talk as if they were persons, expressing their ‘worry’ at what will happen if the elections fail to produce a government with a mandate to persist with the EU-IMF programme of fiscal austerity and structural reform. The citizens of Greece have no time to worry about these prospects: they have enough to worry about in their everyday lives, which are becoming miserable to a degree unseen in Europe for decades.

Such predictions are self-fulfilling, causing panic and thus bringing about the very eventualities they warn against. If Syriza wins, the European establishment will hope that we learn the hard way what happens when an attempt is made to interrupt the vicious cycle of mutual complicity between Brussels’s technocracy and anti-immigrant populism. This is why Alexis Tsipras, Syriza’s leader, made clear in a recent interview that his first priority, should Syriza win, will be to counteract panic: ‘People will conquer fear. They will not succumb; they will not be blackmailed.’ Syriza have an almost impossible task. Theirs is not the voice of extreme left ‘madness’, but of reason speaking out against the madness of market ideology. In their readiness to take over, they have banished the left’s fear of taking power; they have the courage to clear up the mess created by others. They will need to exercise a formidable combination of principle and pragmatism, of democratic commitment and a readiness to act quickly and decisively where needed. If they are to have even a minimal chance of success, they will need an all-European display of solidarity: not only decent treatment on the part of every other European country, but also more creative ideas, like the promotion of solidarity tourism this summer.

In his Notes towards the Definition of Culture, T.S. Eliot remarked that there are moments when the only choice is between heresy and non-belief – i.e., when the only way to keep a religion alive is to perform a sectarian split. This is the position in Europe today. Only a new ‘heresy’ – represented at this moment by Syriza – can save what is worth saving of the European legacy: democracy, trust in people, egalitarian solidarity etc. The Europe we will end up with if Syriza is outmanoeuvred is a ‘Europe with Asian values’ – which, of course, has nothing to do with Asia, but everything to do with the tendency of contemporary capitalism to suspend democracy.

Here is the paradox that sustains the ‘free vote’ in democratic societies: one is free to choose on condition that one makes the right choice. This is why, when the wrong choice is made (as it was when Ireland rejected the EU constitution), the choice is treated as a mistake, and the establishment immediately demands that the ‘democratic’ process be repeated in order that the mistake may be corrected. When George Papandreou, then Greek prime minister, proposed a referendum on the eurozone bailout deal at the end of last year, the referendum itself was rejected as a false choice.

There are two main stories about the Greek crisis in the media: the German-European story (the Greeks are irresponsible, lazy, free-spending, tax-dodging etc, and have to be brought under control and taught financial discipline) and the Greek story (our national sovereignty is threatened by the neoliberal technocracy imposed by Brussels). When it became impossible to ignore the plight of the Greek people, a third story emerged: the Greeks are now presented as humanitarian victims in need of help, as if a war or natural catastrophe had hit the country. While all three stories are false, the third is arguably the most disgusting. The Greeks are not passive victims: they are at war with the European economic establishment, and what they need is solidarity in their struggle, because it is our struggle too.

Greece is not an exception. It is one of the main testing grounds for a new socio-economic model of potentially unlimited application: a depoliticised technocracy in which bankers and other experts are allowed to demolish democracy. By saving Greece from its so-called saviours, we also save Europe itself.

Slavoyyyyyy do a little dance.

Linen - James Schuyler

Is this the moment?
No, not yet.
When is the
moment?
Perhaps there is
none.
Need I persist?

This morning I
changed bedding.
At lunch I watched
someone shake out
the tablecloth, fold
and stow it in a side-
board. Then, the
cigarette moment.
Now, this moment
flows out of me
down the pen and
writes.

I’m glad I have
fresh linen.

Films I’ve watched this week

The Pianist (7/10)
Drive (6/10)
Shame (8/10)
Norwegian Wood (4/10)

(Source: areaofinterest)

Behind the Innocent Trees - Rainer Maria Rilke

Behind the innocent trees
old Fate is slowly forming
her taciturn face.
Wrinkles travel thither…
Here a bird screams, and there
a furrow of pain
shoots from the hard sooth-saying mouth.

Oh, and the almost lovers,
with their unvaledictory smiles! -
their destiny setting and rising above them,
constellational,
night-enraptured.
Not yet proffering itself to their experience,
it still remains,
hovering in heaven’s paths,
an airy form.

Like a Photograph - John Ashbery

You might like to live in one of these smallish
houses that starts to climb a hill, then fumble
back to the beginning as though nothing had happened.

You might enjoy a dinner of sandwiches
with the neighbour who makes concessions.
It will all be over in a minute, you said. We both
believed that, and the clock’s ticking: Flame on, flame on.

Updated my "Publications" page

hookedonsemiotics:

thetargetbird:

Which now includes Consequences and the updated Rejected Consequences chapbooks. If you haven’t checked out Consequences, the chapbook David W. Pritchard and I spent a year writing, please do! It’s got some great (IMO) stuff, like:

Your dreams take place in the shape
of a motorcycle, ripe with sentimentality,
and you awake with a headache —
the zen of it being you must be dead
to be alive, and trying to wiggle your way
out of paying for dinner by saying
money’s a barometer for commitment
and you never committed to getting Chinese
proves all you’ve been doing to get
enlightened is push rocks around.

read these things you fuckers

Nice.

Vincent van Gogh, Thatched Cottages at Cordeville, 1885.

Vincent van Gogh, Thatched Cottages at Cordeville, 1885.

(Source: svell, via llevelling)

My sleep is beginning to be begun.

Street Musicians - John Ashbery

One died, and the soul was wrenched out  
Of the other in life, who, walking the streets  
Wrapped in an identity like a coat, sees on and on  
The same corners, volumetrics, shadows  
Under trees. Farther than anyone was ever  
Called, through increasingly suburban airs  
And ways, with autumn falling over everything:  
The plush leaves the chattels in barrels  
Of an obscure family being evicted
Into the way it was, and is. The other beached  
Glimpses of what the other was up to:
Revelations at last. So they grew to hate and forget each other.

So I cradle this average violin that knows  
Only forgotten showtunes, but argues
The possibility of free declamation anchored
To a dull refrain, the year turning over on itself  
In November, with the spaces among the days  
More literal, the meat more visible on the bone.  
Our question of a place of origin hangs
Like smoke: how we picnicked in pine forests,
In coves with the water always seeping up, and left  
Our trash, sperm and excrement everywhere, smeared  
On the landscape, to make of us what we could.

The Inchcape Rock - John Ashbery

Prop up the “meaning,”
take the trash out, the dog for a walk,
give the old balls a scratch, apologize for three things
by Friday—oh quiet noumenon
of my soul, this is it, right?
You lost the key and the answer is inside
somewhere, and where are you going to breathe?
The box is shut that knew you
and all your friends,
voices that could have spoken in your behalf…

Why, what did you want me to do with them?
Half a document is sufficient to this
weather, wild time, excrescence, more.
Rumors sift across a bald apologia.
The feet are here.

I don’t want to read about rigid designators leave me alone please

"I cannot muster the “we” except by finding the way in which I am tied to “you,” by trying to translate but finding that my own language must break up and yield if I am to know you. You are what I gain through this disorientation and loss. This is how the human comes into being, again and again, as that which we have yet to know."

Judith Butler, Precarious Life: The Powers of Mourning and Violence

(Source: chubbiebellie, via toadustyshelf)